Исполнитель: Bonecrusher Альбом: Saints & Heroes Год: 2015 Страна: USA, California Стиль: Oi! Битрейт: 263 kbps VBR V0, Lame 3.98.4 Длительность: 00:46:03 Издатель: Cargo Records/Knock Out Records Размер: 87.39 МБ Треклист: 01. Remember (05:06) 02. All For One (02:42) 03. Freedom[Part2] (02:36) 04. Saints & Heroes (03:17) 05. Hold Yout Head Up High (02:52) 06. Monster (03:48) 07. Sacrifice (02:12) 08. Whiskey Nation (03:29) 09. Born To Lose (03:46) 10. Gotta Revolution (02:40) 11. Class War (01:56) 12. Spare Me Your Misery (03:56) 13. We Got Tonight (03:36) 14. Emmanuel[God Is With Us] (04:01)
Информация: Brand new album from this legendary So. Cal. punk band that has been one of the driving forces of American punk rock for over 20 years now. Bonecrusher’s sound is at the heart of the southern Californian punk scene with raw, unforgiving and unrelentingly powerful vocals along with ripping guitars and hard-hitting rhythms from the bass and drums – all while maintaining a slew of melodic hooks that will catch your attention and not let go…
The Bonecrusher saga could fill volumes, a terminally great and criminally ignored band, these guys will soon have the last laugh...
you see nobody, but nobody gave these guys a chance or a break, everything they have gained, they've done themselves.
Back in 1992 the Crush formed from the ashes of Wolfpack, another unsung, but great OC punk outfit.
Their early years turned heads, because in the true Crusher tradition, they did what they wanted, not what labels wanted; this gained them tons of fans, but no releases.
Virtually unknown out of their hometown, the Crush released their classic debut on Lethal records, A World of Pain.
Hell, even their own label at the time (lethal) chose to ignore them, and instead chose to promote their better known acts like HFL, China White and Chuck.
Let's check the scoreboard, those bands are now all gone, and in what turned into the greatest irony of all, the World Of Pain CD ended up on FLIPSIDE's best of 1995 OC records lists as the NUMBER 2 record, behind only the US BOMBS and ahead of the Stitches 8 X 12 album! Those other records by the other bands ended up trashed in the reviews.
Shortly after, the band's original drummer, Gino ended up in the Minnesota state prison system, George, the original BONECRUSHER guitarist, suffered as well, he ended up in the band ADZ.
At this time the band was self-destructing with drug stints and jail time. The sad truth: the band had hit rock bottom, just when they were ready to dominate the lack-luster 1994-1995 OC scene.
In late 1996, the Crusher returned invigorated with a new understanding of itself, where it has gained praise and momentum since, with the addition of HFL's, Pat Hall and the amazing Noah Lysek on drums, they went in the studio to record and produced one of OC's greatest recordings to date, this session went on to become the Animal ep and No Escape, both on Hostage records.
Every band has a defining moment, a point at which things can never be the same, and never go back to what they were...it can either ruin or make you.
For Bonecrusher, their defining moment did both, simultaneously. It was one of those, "battle of the punk bands" shows at Malone's Club in Anaheim, put on to showcase the locals.
The ol' Crusher showed up and proceeded to absolutely blow it out, and the frenzied crowd followed suit, a sea of people out of control.
The club owners freaked, and pulled the PA plug, an undaunted Raybo, continued to wail the vocals, along with the crowd, sans a microphone, and the palace exploded with energy and chaos.
The club owners called the police, who shut the club down and of course, the band came in 2nd place, they lost points for the riot! The band had solidified their spot in OC punk lore, however, now no promoter would touch them, it was a year before their next show.
In 1997, they finally got another live gig, at the now defunct, Clipper in Long Beach, which was promoted by Outsider.
The band pumped with a year's worth of frustration, delivered in grand fashion, in fact Outsider was so impressed, they immediately stuck the band in the studio, to record what became the legendary Angry Youth single, released on their own label.
Until the club's demise, the Crusher was somewhat of a house band, playing for free, once a month opening and proceeding to smoke a whole slew of headliners like the US BOMBS, Mindrot and the Battalion of Saints...Flipside even ran a piece stating Bonecrusher's new gig was blowing away the headliner bands and proceeded to run a "victims list".
Maximum Rock and Roll, Flipside, Skratch and 3rd Generation Nation magazines all began to rally around the band with great reviews and feature interviews, mid 1998 found the Crush back in the studio recording for their much anticipated follow-up CD, in true Bonecrusher fashion, they decided to do it themselves, instead of shopping it around to a bunch of ungrateful, we'll-get-back-to-you-later types, the band blew out an amazing 13 songs in less than 2 days.
Everybody likes to talk about how punk they are, or how "we're doing it for the kids", these guys actually delivered with what will surely be the most explosive OC punk release this decade and the clincher; the band, true to it's working class creed, Working class punk at a working class price, what do you bet none of the rest follow?